The exhibition opens with a contrast in photography and scenery. The photos from the late 1890s in sepia capture the clothing, transportation, new construction and people within the city. Brassaï’s black and whites hang above them and contrast life’s changes from thirty years earlier into the 1930s. It is mind boggling to see the reality and how much changed in a short period of time: constricted clothing, proper behavior, horse-drawn carriages, clean, new building to more comfortable clothing (or none), changed mores, engines, and black, sooty façades.
Born in 1899 in Brasso (Brassov), Transylvania, Gyulus Halasz moved to Paris in 1924, changed his name to Brassaï in 1929 and became a photographer. Classified as a surrealist, Brassaï started to turn the real into the strange, capture the mores of society, and immortalize Paris scenery using the street lights to cast the shadows and turn holes in walls and wall graffiti into three-dimensional scenes.
If you are visiting Paris and want to capture the everyday in any weather, pick up some ideas from this exhibit. I had to go back a second time relishing the images and buy the catalog.
Read more details about Brassaï the photographer and the exhibit
Brassaï brochure (in French)
Le jeu (in French) is a game for children (or adults) to play while visiting the exhibit
The Brassaï exhibit briefly on YouTube.
iPad/tablet application is available at the App Store and for Adroid (search: Brassaï Paris)
“Brassai, Pour l’amour de Paris”, 8 November 2013 to 8 March 2014.
10 am to 7 pm, Monday to Saturday, Closed Sunday
Hôtel de Ville de Paris, 5 rue de Lobau 75004
Metro: Lines 1 and 11, Hôtel de Ville station
Line 4: Cité station
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